The manga is a perfect gateway drug. It is shorter than the novel (approx. 250 pages of dense comic panels) but contains the full emotional arc. It is the fastest way to fall in love with Will and Jem. The Verdict The Infernal Devices: Clockwork Angel – The Manga (2012) is not a cash-grab. It is a loving, illustrated love letter to one of the best YA fantasy novels of the 2010s. While it sacrifices some of the novel’s narrative complexity for visual pacing, it gains a timeless aesthetic that captures the gaslight-and-gore vibe of Shadowhunter London.
For fans of Will Herondale’s razor-sharp wit and Tessa Gray’s transformative journey, this manga offered something the novel could not: a visual heartbeat. A decade later, it remains one of the most faithful and visually stunning adaptations of Clare’s work. The biggest challenge for any artist adapting Clockwork Angel is the world-building. Clare’s novel is a dense tapestry of Victorian London, supernatural politics, and Clockwork mechanics. HyeKyung Baek rises to the occasion magnificently. The manga is a perfect gateway drug
Long before the explosion of “BookTok” and the recent resurgence of interest in Cassandra Clare’s Shadowhunter universe, a quiet but remarkable adaptation was released that bridged the gap between Victorian literature and Japanese manga. In 2012, Yen Press published The Infernal Devices: Clockwork Angel – The Manga , adapted and illustrated by the Korean-born artist HyeKyung Baek. It is the fastest way to fall in love with Will and Jem