The 10th Edition of the Billboard Book of Top 40 Hits never got a reprint. But Mona didn’t mind. She kept the book open to page 372, where she’d penciled in her own entry:
That night, Mona drove to a shuttered AM radio tower outside Tulsa. Buried in a lockbox beneath the transmitter was a reel-to-reel tape labeled “Sleepwalking Through Saturday — The Deadlights (Chart position: 37, 11:34 PM, March 17, 1979).”
But Mona found a loose page tucked inside the entry for “Physical” by Olivia Newton-John. It was a handwritten note from Sal: the billboard book of top 40 hits 10th edition
She played it. It was beautiful — fuzzy, aching, a two-minute jangle of heartbreak and cheap reverb.
Mona had inherited it from her uncle Sal, a one-hit-wonder DJ who’d scraped the Top 40 exactly once in 1987 with a synth-pop disaster called “Neon Umbrella.” The book was his bible. He’d annotated every entry: “This one? Autotuned to hell.” Or: “Played this at prom. Couple broke up during the bridge.” The 10th Edition of the Billboard Book of
Now it was 2026. Streaming had long since made the physical chart obsolete. Billboard itself had rebranded as “Billboard: A Sonic Mood Matrix.” No one remembered the ritual of watching Casey Kasem count down from 40 to 1.
She searched every database. Nothing. No Deadlights, no song. So she did something absurd: she called the phone number listed in the book’s old publisher’s acknowledgments. A raspy voice answered on the third ring. Buried in a lockbox beneath the transmitter was
“You found the note,” the voice said. “I wrote the first edition. Sal and I had a bet. That song was a Top 40 hit for exactly four hours in 1979, before a label exec pulled it to boost another artist. We couldn’t print the truth. But we could leave a map.”