Yes, there are rotary phones, VHS tapes, and hair band posters. But Son of a Critch doesn't use the 80s as a gimmick. It uses the era to show a time when kids had actual freedom (and actual danger). The jokes about smoking behind the shed or trying to buy a Penthouse magazine at the corner store hit a very specific, very funny nerve for Gen X and elder Millennials.
Do yourself a favor: Grab a mug of tea (or a soda pop), put on a sweater, and spend some time in St. John’s. You’ll leave smiling. Son of a Critch
We follow (a brilliantly awkward Benjamin Evan Ainsworth), an 11-year-old who is too smart for his own good but too naïve to survive middle school. He lives with his sharp-tonged father, Mike (Mark Critch playing a fictionalized version of his own real dad), his doting grandmother (the legendary Claire Rankin), and his older brother, Mike Jr. Yes, there are rotary phones, VHS tapes, and
The setup is simple: A nerdy kid navigates Catholic school, first crushes, bullies, and the chaos of a blue-collar family in a quirky seaside town. 1. The setting is a character. Newfoundland isn’t just a backdrop; it’s the soul of the show. The showrunners lean hard into the specific cultural details—the accents, the saltwater humor, the resilience, and the "snowmageddon" level weather. Even if you’ve never been to "The Rock," you’ll feel the cold wind and the warm kitchens. The jokes about smoking behind the shed or
Mark Critch (the adult) playing Mike Critch (the father) is a meta act of genius. He isn’t playing a sitcom dad; he’s playing a tired, loving, sarcastic 1980s everyman. He doesn’t give pep talks; he gives reality checks. When young Mark says he wants to be a writer, Mike replies, "You mean a starving writer?" It’s brutal, but it’s love.