Highlights included a mashup of Nas’s "The World Is Yours" with Damian’s "Road to Zion," and a jaw-dropping closer where the entire crowd sang "One Love" leading into "One Mic." For two hours, the divide between hip-hop heads, stoners, and Rasta faithful vanished. Fifteen years later, Distant Relatives remains a cult classic rather than a commercial smash (it sold 310,000 copies—respectable, but not Illmatic numbers). However, its DNA is everywhere.
You hear it in the wave of "Afrobeat" collaborations dominating American radio today (from Beyoncé’s The Lion King album to Drake’s drill beats). You hear it in the political urgency of artists like Kendrick Lamar (who cited the album as an influence on To Pimp a Butterfly ). And you hear it in the growing mainstream acceptance of patois in hip-hop lyrics. Nas Ft Damian Marley
Nas, who had spent the 2000s navigating the spiritual aftermath of his Illmatic genius and the street epics of It Was Written , was deep into his "rebel" phase. He had just released Untitled (originally Nigger ), a controversial deep dive into racial etymology. Damian, the youngest Marley brother, had already won three Grammys and pushed roots reggae into the 21st century with the gritty, dancehall-infused Welcome to Jamrock . Highlights included a mashup of Nas’s "The World
They realized they were singing the same song: one about colonization, survival, and the false borders drawn by cartographers. Released in May 2010, Distant Relatives was promoted as a charitable project (proceeds went to schools in Africa), but it played like a manifesto. Produced largely by Damian Marley and Stephen Marley, with assists from Salaam Remi and DJ Khalil, the album didn’t sound like a rapper trying reggae or a reggae singer trying to rap. It sounded like a third genre entirely. You hear it in the wave of "Afrobeat"