Barcelona Weekly

The track was composed by the then-relatively new duo Sachin–Jigar. According to interviews, the brief from Nair was paradoxical: "Make it sound like every 90s item song, but also like nothing anyone has ever heard." The result was a Frankenstein’s monster of a beat—a thumping dhol mixed with a detuned synth bass, topped with a chorus that sounds like a sleepy child being woken up by a disco ball. The lyrics, penned by the irreverent lyricist Raftaar (yes, the rapper), are intentionally nonsensical. "Dreamum Wakeupum" isn't a phrase; it’s a state of mind. The song’s power lies in its rejection of lyrical profundity. It’s pure, unfiltered phonetics designed to be shouted, not sung.

The choreography, handled by Mudassar Khan, is deliberately off-kilter. It’s not about sharp angles or pelvic thrusts; it’s about jerky arm movements, enthusiastic finger-pointing, and a "running man" that looks more like a toddler who has had too much sugar. Legend has it (via behind-the-scenes clips) that Shukla was deeply embarrassed and confused on day one. She couldn't stop laughing. Instead of suppressing this, Nair and Khan leaned into it. They told her to stop trying to be sexy and start trying to be excited . The result is a performance of pure, unhinged glee. The "making of" footage reveals a set that was less a professional soundstage and more a summer camp: Shukla giggling between takes, the backup dancers (dressed like neon aliens from a galactic hair salon) messing up on purpose, and Jigar himself sneaking in to play a percussion break.

In the end, the making of "Dreamum Wakeupum" is a masterclass in accidental genius. It proves that a tight budget, a nonsensical lyric, and a protagonist who can’t really dance are not obstacles. They are ingredients. When mixed with sincerity and a complete lack of ego, they create not just a song, but a time capsule of pure, unapologetic joy. Dreamum wakeupum, indeed.

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