The right to believe, to worship and witness
The right to change one’s belief or religion
The right to join together and express one’s belief
Jessa Zaragoza - Masamang Damo Target May 2026
By the time the police—alerted anonymously by the driver—barricaded the warehouse, the Masamang Damo was a smoldering heap of dead vines, and Jessa stood amid the chaos, breathing heavily but unhurt. A uniformed officer approached, his badge glinting under the single bulb.
Jessa Zaragoza had been singing the same love‑song chorus on stage for years, but that night in Manila’s historic theater something else was humming in the back of her mind—a low, persistent thrum that had nothing to do with the orchestra. Jessa zaragoza - masamang damo target
She remembered the lullaby her mother used to hum while sweeping the porch: “Sampaguita, sampaguita, nagbubukas sa umaga…” The melody was simple, soothing, and, most importantly, it was a song that could be hummed under breath without drawing attention. By the time the police—alerted anonymously by the
Jessa took a breath, feeling the familiar surge of adrenaline that came before a performance. She slipped the key into the lock, the door creaking open to reveal a cavernous space filled with crates, ropes, and the low murmur of men in dark shirts. In the center of the room, under a single dangling bulb, sat a glass case. Inside, a thick, emerald vine coiled around a cluster of dark berries that glowed faintly— the Masamang Damo . She remembered the lullaby her mother used to
As the guard’s grip slipped, the case trembled. Jessa moved swiftly, her hand finding a small, rusted pipe lying on the floor. With a precise swing, she cracked the glass, sending shards scattering across the concrete. The vines writhed, the poisonous sap spattering the floor, but Jessa was already there, pulling a heavy fire‑extinguisher from the wall and blasting a torrent of foam over the plant. The foam sizzled, neutralizing the toxins and turning the emerald vines a dull, harmless brown.
Outside, a sleek black SUV waited. Its driver, a woman with a scar across her left cheek and eyes that missed nothing, opened the back door for her. “You’re late, Jessa,” the driver said, her voice low and amused. “But better late than never. We’ve got a job for you.”
The night ended with a thunderous standing ovation. As the lights dimmed and the curtain fell, Jessa whispered to herself, “Masamang damo? No more.” And the echo of her words drifted out into the Manila night, a promise that even the toughest weeds could be uprooted—if only you sang the right song.