This download page contains links to download laser frames and animations, software of use to laserists, a .zip file copy of Sam's Laser FAQ, and links to other sites offering useful downloads.

Two DOS utilities [as .zip files] for those working on ILDA frame format import/export contributed by O. Steven Roberts. He writes, "These utilities are for for hobbyists and others who are developing tools for ILDA frame format file support [to import/export .ild files] and who need a sanity check as Pangolin and X29 are merciless when it comes to errors in a .ild file. Programming is by Mike Svob".

This area is where leading laser animators have supplied samples of their work along with contact information. The samples are provided as .zip archives which you can download from this page.

Hannibal Full Series -

Food is equally central. Hannibal’s cooking sequences are shot like Michelin-star food porn, gleaming with honey, butter, and rich red wine—until you remember what (or who) is on the menu. The show uses sound design and lighting to create a constant sense of unease; even daytime scenes feel draped in shadow. This aesthetic is not gratuitous. It serves the theme: for Hannibal, murder and dining are indistinguishable acts of aesthetic worship. Despite critical acclaim and a passionate fanbase, Hannibal suffered from low live ratings on network TV. It was too strange, too violent, and too intellectually demanding for a broad broadcast audience. In 2015, NBC canceled the series after three seasons and 39 episodes.

However, cancellation became a kind of liberation. The series finale, "The Wrath of the Lamb," provides a stunningly perfect conclusion: Will and Hannibal finally embrace their union by killing the Great Red Dragon (a terrifying Richard Armitage), then plunge off a cliff into the Atlantic in a bloody, romantic climax. It is ambiguous, operatic, and satisfying—yet open-ended enough to fuel years of revival talks.

For new viewers, it is a warning and an invitation: the meals are exquisite, the art is gorgeous, and the horror is profound. But once you enter Hannibal Lecter’s world, you may never want to leave. Hannibal Full Series

Since 2015, the show has found an even larger audience on streaming platforms like Netflix and Hulu. Its influence can be seen in later "elevated horror" series, from The Terror to Yellowjackets . Bryan Fuller, Mikkelsen, and Dancy have all repeatedly expressed interest in a fourth season (adapting The Silence of the Lambs ), but rights issues between MGM and the Darden family have kept Clarice Starling out of reach. What remains is a complete, three-season masterpiece. Hannibal is a show about transformation: the metamorphosis of a good man into a monster, and the monster’s desperate search for a friend who truly sees him. It is a tragedy of empathy—Will feels too much, Hannibal feels too little, and their love destroys everyone around them.

A five-course meal of psychological terror, aesthetic beauty, and heartbreaking romance. Essential viewing for fans of horror, art cinema, and the darkest corners of the human soul. Bon appétit. Food is equally central

In the pantheon of prestige television, few shows arrived as fully formed, visually audacious, and psychologically terrifying as Bryan Fuller’s Hannibal . Airing on NBC from 2013 to 2015, the series faced an impossible task: reimagining Thomas Harris’s iconic characters—the brilliant FBI profiler Will Graham and the cultured cannibalistic psychiatrist Dr. Hannibal Lecter—for a post- Silence of the Lambs world. The result was not just a successful adaptation, but a groundbreaking work of horror-art that pushed the boundaries of network television and cultivated a fiercely devoted fandom that still clamors for a fourth season today. The Premise: A Twisted Courtship At its core, Hannibal is a psychological thriller, but it is more accurately a gothic romance between two damaged souls. The series begins with Will Graham (Hugh Dancy), an empathetic FBI criminal profiler who can reconstruct the thoughts of serial killers by visualizing their crimes. This gift is a curse; it leaves him unstable, isolated, and teetering on the edge of psychosis.

Opposite him, Hugh Dancy delivered a career-defining performance as Will Graham. Dancy portrays Will’s descent into madness with visceral rawness—the trembling hands, the haunted eyes, the desperate clinging to his own fading morality. Their chemistry is the show’s engine; every conversation is a chess move, a flirtation, or a threat. The supporting cast, including Laurence Fishburne’s weary Jack Crawford, Caroline Dhavernas’s empathetic Alana Bloom, and Gillian Anderson’s manipulative Bedelia Du Maurier, adds layers of tragic consequence to the central relationship. If the acting is the heart, the visual language is the soul. Created by Bryan Fuller and brought to life by director of photography James Hawkinson, Hannibal is one of the most beautiful shows ever made. It rejects the gritty, handheld realism of most crime dramas for a stylized, dreamlike nightmare. The show’s signature is its tableaux of death—murder scenes arranged as macabre art installations: angel wings made of lungs, a cello carved from a human corpse, a totem pole of stitched-together bodies. This aesthetic is not gratuitous

Enter Dr. Hannibal Lecter (Mads Mikkelsen), a brilliant psychiatrist and polished socialite who is secretly the very monster Will is hunting—the "Chesapeake Ripper." Jack Crawford (Laurence Fishburne), head of the FBI’s Behavioral Science Unit, pairs the two, hoping Hannibal can help stabilize Will. Instead, Hannibal becomes fascinated with his "broken" patient, manipulating events to isolate Will, frame him for murders, and ultimately, to transform him into a killer. The series’ central question is not "Will Hannibal be caught?" but rather "Will Will become Hannibal’s equal?" Replacing Anthony Hopkins as Hannibal Lecter was considered cinematic heresy. Yet Mads Mikkelsen did not imitate; he redefined. His Lecter is not a snarling monster but a seductive, elegant Devil. He moves with the predatory grace of a great cat, his violence a matter of cold, aesthetic precision. Mikkelsen’s Hannibal doesn’t need to hiss or snarl; he simply tilts his head and smiles, and the air freezes. This is a Hannibal who kills because he finds rudeness offensive and who serves his victims to dinner guests as a form of artistic expression.

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