Brandi Carlile champions androgynous elegance: bespoke three-piece suits with floral lapels, polished Chelsea boots, and a signature bandana tied at the neck. Yola brings cinematic 1970s soul-country — flared jumpsuits, Afro volume, and gold statement earrings that catch every light.
As the outlaw movement pushed back against polished Nashville, Jessie Colter embraced suede fringe and turquoise jewelry, while a teenage Tanya Tucker rocked leather pants, tousled hair, and a defiant sneer. This was country fashion with a rock-and-roll underbelly — still Western, but never sweet. Female Country Singers Nude
In the early 2000s, The Chicks (formerly Dixie Chicks) popularized the festival-ready cowgirl: embroidered peasant blouses, cowboy boots over frayed jeans, and guitars slung across floral straps. Later, Kacey Musgraves infused psychedelic whimsy — think fringe minidresses in sherbet hues, crystal-encrusted clogs, and a shiny silver spacesuit for her “Star-Crossed” era. This was country fashion with a rock-and-roll underbelly
Kacey at the 2019 Met Gala — a pale blue, cutout dress by Moschino, complete with a rhinestone-studded cowboy hat. 5. Modern Edge & Streetwear Blend – Maren Morris & Mickey Guyton Signature style: Blazers over corset tops, chain belts, graphic tees, and sneakers with ball gowns. Kacey at the 2019 Met Gala — a
Look for the 1963 “I Fall to Pieces” performance gown — lavender, crystal-flecked, and preserved in the Country Music Hall of Fame. 2. Outlaw Chic – Jessie Colter & Tanya Tucker Signature style: Leather vests, wide-brim felt hats, bell-bottoms, and dark, earthy tones.
Shania’s “That Don’t Impress Me Much” music video — head-to-toe leopard coat, black choker, and confident strut. 4. Boho Cowgirl – The Chicks & Kacey Musgraves Signature style: Flowy maxi skirts, crochet tops, turquoise accessories, and retro-futuristic pastels.
Patsy Cline brought Hollywood elegance to Nashville — think floor-length fringed satin gowns with rhinestone cuffs and soft, feminine silhouettes. Loretta Lynn favored high-neck, calf-length floral dresses with crinoline underskirts, often paired with a simple strand of pearls. Their look was “Sunday best meets honky-tonk stage.”