The new (Waveform, Parade, Vectorscope) have been rebuilt to handle 10,000 nits of luminance. If you are delivering for Dolby Vision or HDR10+, Optics 2025.0 finally respects your dynamic range without crushing blacks or clipping whites. 3. The "Classic Diffusion" Rebuild Optics has always had "Glass Diffusion," but for 2025, they went back to the analog lab. They rebuilt the Classic Diffusion filter from the ground up using new optical physics modeling.
You want the halation of a vintage Cooke lens? Done. You want the chromatic aberration of a cheap 1980s plastic lens? Easy. You want a lens flare that reacts dynamically to highlights? Optics does it.
You can now generate auto-masks for with a single click. This is huge. Want to add grain only to the skin to reduce plastic texture? Want to add a diffusion glow only to the background while keeping the subject razor sharp? You can now do this entirely inside the Optics interface. Boris FX Optics 2025.0
Boris FX, the legendary creators of Sapphire and Continuum (tools used on every Oscar-winning VFX film of the last decade), has just released their latest iteration of Optics. And frankly, this isn't just an update; it’s a statement.
For years, there has been a silent war in the world of image editing. On one side, you have parametric editors like Lightroom and Capture One. On the other, you have pixel editors like Photoshop. But what if you need something that sits entirely in the middle? What if you want the high-end optical simulation of a Hollywood VFX studio without leaving your raster workflow? The new (Waveform, Parade, Vectorscope) have been rebuilt
Here is everything you need to know about the new release, from the AI-powered masking to the lens flare that actually looks real. For the uninitiated, Optics is a standalone application and a plugin host (for Photoshop, Lightroom, and Affinity). It is essentially a library of over 1,000 parametric optical filters. Think of it as the lens closet of a Hollywood cinematographer, digitized.
Enter .
If you have ever looked at a cinematic movie still and thought, "How do they get that glass-like texture?" — the answer is usually a $50,000 lens, or .