This resulted in a lag between the needle and the pantograph. In modern machines, the needle and the hoop are perfectly synced. In a Punchant file, the needle is always slightly "dragging" behind the hoop movement. This creates a sawtooth edge on satin columns that, when washed in a chemical bath, frays into a perfect, soft eyelash fringe.
Why a 30-year-old Japanese machine remains the holy grail for high-end lace and Schiffli digitizing. Barudan Punchant
If you spend enough time in the back hallways of industrial embroidery—away from the roar of 15-head Tajimas and the clickbait of “auto-punch” software—you will eventually hear a name whispered with a mix of reverence and frustration: This resulted in a lag between the needle and the pantograph
Modern multi-head embroidery is stiff. We use heavy backing, sharp needles, and high tension to force the thread into a stable substrate. This creates a sawtooth edge on satin columns
Schiffli machines are the massive, 15-yard-long behemoths that produce lace, eyelet, and bridal fabric. They use a continuous thread and a pantograph to move hundreds of needles at once. Schiffli lace has a distinct "hand" (feel)—it is soft, drapey, and has a tactile roughness on the back.