The non-linear narrative, which flashes back and forth between the present chase and past training days, is meant to build emotional depth. Instead, it creates narrative whiplash. Just when the chase in London gains momentum, the film cuts to a prolonged, leisurely flashback in a military academy. The tonal inconsistency is jarring—shifting from a gritty cat-and-mouse thriller to a sentimental tribute to army tradition and back again.
Where Aiyaary falters is its execution. The film runs close to 2 hours and 40 minutes, and you feel every minute of it. Pandey, usually a master of taut storytelling, indulges in unnecessary subplots (a romantic track with Rakul Preet Singh that goes nowhere, a flashback within a flashback featuring Naseeruddin Shah as a mentor to both leads) that bloat the runtime and dilute the tension. aiyaary -2018-
The film’s strength lies in its central ideological debate. Bajpayee, as always, is the anchor. He brings a weary gravitas to Abhay—a man who has made compromises to survive within the system but has never lost his moral compass. The scenes between Bajpayee and Malhotra crackle with genuine mentor-mentee tension, especially when they argue about the definition of patriotism. The film’s dialogue, particularly Bajpayee’s monologues about the sacrifices of a soldier, is sharp and memorable. The non-linear narrative, which flashes back and forth
Subject: Aiyaary (2018) Director: Neeraj Pandey Starring: Sidharth Malhotra, Manoj Bajpayee, Rakul Preet Singh, Pooja Chopra, Adil Hussain, Anupam Kher, Naseeruddin Shah The tonal inconsistency is jarring—shifting from a gritty